MONUMENT: BETWEEN TEMPLE AND STATUE IN NAPAK TILAS ARTEFAK PRIVATE FIGURE UDAYANA THROUGH THE EXISTENCE OF HISTORY

Prabu Udayana is a very monumental figure, which according to Edi Sedyawati in his paper, Raja Udayana ruled in Bali from 989 to 1011, as a charismatic figure and symbol of glory and grandeur in the past, especially in the government development system by setting the composition of officials based on position, authority and duties specifically called Dhikara in Panglapuan. Prabu Udayana was a Balinese king from family or descendants of the Warmadewa dynasty, his marriage to Gunapriya Dharmapatmi reflected the close political and social relations between Bali and East Java.

Commemoration of the artifacts of King Udayana through historical existence, explored from Bali to East Java through dynastic relics. In the search in the Bali region there are two artifacts in the form of the Gunung Kawi cliffs on the banks of the river Pakerisan, there is a artifact of the hermitage complex (kantyangan) named Amarawati, estimated to have been built since the middle of the 11th century AD, during the Udayana dynasty (Wiratna Sujarweni 2012). The construction of the temple is estimated to have begun during the reign of King Sri Haji Paduka Dharmawangsa Marakata Pangkaja Stanatunggadewa (944-948 saka / 1025-1049 AD).

The area where Tebing Gunung Kawi temple is located consists of ten temples with three regions. Five on the east side of the river are considered as the main part of the Gunung Kawi cliff temple complex, while to the north of the west side of the Pakerisan river there are four temples that are lined up from north to south and face the river and one other temple is on the south side, approximately 200 meters from the four temples. Mount Kawi cliff temple complex was built estimated to be a place of worship for the ghost of his father, Prabu Udayana. This is reinforced by the inscription "Haji Lumah Ing Jalu" beraksara kwat at the top of the temple gate (Gde Ardana, Ardika, Setiwan 2015) the description is meaningful 'The King is buried in Jalu (Pakerisan river).

 The next legacy is in the area of ​​East Java in Pasuruan, which is a temple site in the hemisphere or known as the source temple of Tetek. In history it is told in 1006 that King Wurawari of Lwaram (an ally of Srivijaya) attacked Watan, the capital of the Medang kingdom who was holding a wedding, in which Dharmawangsa was killed and his nephew named Airlangga escaped the attack. Airlangga is the son of the couple Mahendradata and Prabu Udayana Bali. According to the history of King Udayana and empress Gunapriya Dharmapatni had three children, namely Airlangga, Marakata and Wungsu Children (Gusti Gde Arnane 2012), where the Eldest Airlangga was later appointed as Raja Kediri replacing his grandfather Empu Sendok. In 1009 the community requested that Prabu Airlangga rebuild the Medang kingdom, because the city of Watan had already been destroyed, so Airlangga built a new capital called Watan Mas near the Penanggungan Mojokerto Ngoro mountain, where there was a Probu Airlangga hermitage site named Jalatunda in the village of Seloliman District Trawas.

The dimensions of the Jalatunda Petirtan site are 16.85 m, 13.52 m wide and 5.20m deep. Some stone carvings next to the tone of the artifacts in the Petitan Jalatunda temple are in the form of the number 997, (Ardika 2012). For the next artifact is the temple of the hemisphere or the source of the Tetek is the artifact of the temple with the concept of the story, there is a large stone around the sculpted temple of the year 1049 AD located in the village of Belahan Jowo, Wonosunyo, Gempol District, Pasuruan. The enslaving is said to be a source of tetek because in the temple there are two statues in the form of a woman's body, namely the statue of the woman Dewi Sri and Dewi Laksmi whose breasts radiate water in the understanding of the local community as living water or a virtual tirahipan earth with a 6 x dimension pool. 4 M. It is said that the temple artifacts were the place where King Airlangga was buried (where they were buried).

In the Belahan temple artifact complex, there is a statue monomen in the form of an Airlangga statue on an eagle, better known as the concept of the King God. Is a concept that equates the position of the king with the gods. King Airlangga is a dropper of Lord Vishnu, the memorial shows as Vishnu who rides an eagle. The concept of Dewaraja, the king is believed to be the incarnation of a god, after the king or a figure dies, then it is realized in the form of a statue in accordance with his deity's deity.

The three artifacts with the embodiment of the temple, both Tebing Gunung Kawi temple, Belahan or Tetek temple and Jalatunda temple, can be drawn from the three artifacts, among others; all of these artifacts in the form of monuments in the form of temples are included in the category of non figurative monuments, while in Belahan temple there is a combination of figurative and non figurative monuments, because there is a statue / statue of Prabu Airlangga riding a Garuda bird. For understanding that can be associated with the monument as a whole is a historical relic, where the overall monument of the heritage temple has historical value for mankind.